I don't know much about it but I will give you my initial read. I like the click trac. It somehow ads cohesion to what's happening. Are you dropping the brick to that rhythm? The tension on your arm is nice this kind of thing can be very powerful if you were to exploit every finger and both hands showing true struggle. It is reminiscent of all kinds of neuro-muscular disorders, puppetry and a plethora of open ended metaphor. I think it would have helped the smearing action read better as well. I am wondering about the paintbrush though.
Oh and I would like to see how this works in a live setting. I think if I had to say the one thing that I have been mentioning most it's that more of these need to be performed live.
Valeria,
ReplyDeleteThis link seems to be inactive, can you fix?
It's fixed Ralph! I apologize! Please let me know what you think about my performance. I would really appreciate your feed back.
DeleteI don't know much about it but I will give you my initial read. I like the click trac. It somehow ads cohesion to what's happening. Are you dropping the brick to that rhythm? The tension on your arm is nice this kind of thing can be very powerful if you were to exploit every finger and both hands showing true struggle. It is reminiscent of all kinds of neuro-muscular disorders, puppetry and a plethora of open ended metaphor. I think it would have helped the smearing action read better as well. I am wondering about the paintbrush though.
ReplyDeleteOh and I would like to see how this works in a live setting. I think if I had to say the one thing that I have been mentioning most it's that more of these need to be performed live.
ReplyDelete